The Printed Internet (2013-), by Daniel Kolitz
collage, imagery, internet, post-internet, printed matter, translation, writingSunday, April 28th, 2013
translation
Sunday, April 28th, 2013
#26 (from the series: The Necessity of Incinsistent Fantasies) (2009), by Jutta Koether
imagery, network, object, painting, post-medium, translationFriday, April 5th, 2013
Image Transfers (2012), by Anne de Vries
computer, imagery, internet, post-internet, print, text/image, translationSaturday, March 9th, 2013
Art Car (2013), by Rafaël Rozendaal
advertising, animation, car, colour, imagery, mirror, post-internet, projection, translationSaturday, March 9th, 2013
Eunoia (2010), by Christian Bök (translated in colour by Lauren Kohne)
abstraction, colour, grid, imagery, paper, text/image, translationFriday, November 23rd, 2012
For Constant Dullaart digital media are not just means of transport for content and facts but first and foremost the subject of his media-analytical artistic strategy. In DVD Screensaver Performance, conceived as a series, one sees the artist in various places, such as in the Joshua Tree desert, in his living room or in the Museum of Applied Art in Vienna. He is holding a bunch of differently coloured oval signs with the DVD logo in his hand, which for several minutes he moves diagonally from one edge of the screen to the other. As soon as the logo touches the edge of the respective video display the artist changes the card and so changes the colour. If a playback machine does not contain a storage medium or is in stand-by mode, the movements right across the screen, which the DVD logo carries out in a standardised way, are imitated by Constant Dullaart and reconstructed using analogue means. DVD Screensaver Performance is about an attempt to push a technological procedure that is little noticed in everyday life into the field of view and to demonstrate both the performative potential of technological arrangements as well as their standard design.
DVD Screensaver Performance (2011), by Constant Dullaart
animation, copy, default, dvd, imagery, originalcopy, originalcopy | fluc am praterstern, performance, translation, video, waitingThursday, July 26th, 2012
On the screen, viewers see Constant Dullaart. The artist is lying on the floor: spread out in front of him are eight circular elements that he again has arranged into a larger circle and which are in the middle of the picture on the video. Dullaart pushes each of the individual elements a bit further in a clockwise direction and in this way sets the big circle in motion. YouTube on the Floor is about the symbol that shows YouTube users the waiting time until the video they have clicked is completely downloaded. With the analogue animation that reconstructs an object from the net in real space, the artist explores the performative potential of one of the most popular video platforms. Constant Dullaart researches the multifaceted language of contemporary images that are circulating on the Internet and their recontextualisation as “found footage” in their own medium. The artist examines their widespread and often unquestioned use as well as the internationally disseminated and standardised appearance of manipulated screen surfaces in order to research their influence on social behaviour.
YouTube on the Floor (2011), by Constant Dullaart
animation, circle, copy, default, imagery, internet, net art, originalcopy, originalcopy | fluc am praterstern, performance, translation, waiting, youtubeThursday, July 26th, 2012
Uh Duh (2011), by Sarah Jacobs
black/white, book, imagery, onomatopoeia, punctuation, speech, translationMonday, January 23rd, 2012
Komma (after Dalton Trumbo’s Johnny Got His Gun) (2010), by Antonia Hirsch
black, book, film history, imagery, originality, orthography, poetry, readymade, translationTuesday, February 8th, 2011
on translation (2008-2010), by Michael Kargl
code, imagery, object, paper, printer, process, translation, work of artThursday, May 27th, 2010
temporal translation (2005), by Arnold Reinthaler
category, imagery, time, translation, typewriterWednesday, February 3rd, 2010