More Michael Paintings (2011), by Reena Spaulings
body, collection, critique, imagery, institution, network, painting, post-mediumFriday, April 5th, 2013
To write means, of course, to perform an action by which a material, (for instance chalk, or ink), is put on a surface, (for instance a blackboard or a leaf of paper), to form a specific pattern, (for instance letters). And the tools used during this action, (for instance brushed and typewriters), are instruments which add something to something.
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Es handelt sich darum, ein Material auf eine Oberfläche zu bringen (zum Beispiel Kreide auf eine schwarze Tafel), um Formen zu konstruieren (zum Beispiel Buchstaben). Also anscheinend um eine konstruktive Geste: Konstruktion = Verbindung unterschiedlicher Strukturen (zum Beispiel Kreide und Tafel), um eine neue Struktur zu formen (zum Beispiel Buchstaben).
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The point of departure for the selection of texts in this reader is the social dimension of participation – rather than activation of the individual viewer in so-called “interactive” art and installation. The latter trajectory has been well rehearsed elsewhere: the explosion of new technologies and the breakdown of medium-specific art in the 1960s provided myriad opportunities for physically engaging the viewer in a work of art.
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